2023/09/20

Oliver Cotton’s The Score, dealing with Bach’s confrontation with Frederick II at Potsdam in 1747

In Taking Sides (1995) he offered a surprisingly sympathetic view of Wilhelm Furtwangler, who remained as conductor of the Berlin Philharmonic during the Third Reich. In the even better Collaboration (2008), Harwood showed how Richard Strauss, while working on Die Schweigsame Frau with Stefan Zweig, was forced into an accommodation with the Nazis to protect his Jewish daughter-in-law and her children.

2023/09/11

Three poems, an interview and it's review by ChatGPT

I

In Proust's world of memories deep,

A timeless journey, secrets to keep.

In madeleines and tea's sweet brew,

A flood of recollections, old and new.


Lost in time's embrace, we roam,

Through swanns and landscapes, we find home.

A Combray evening's soft twilight,

A world of longing, both day and night.


In search of lost time, we wander free,

Through dreams and thoughts, what might be.

Oh, Proust, your prose like a flowing stream,

In your words, we find life's endless dream.


In memories, we find our soul's delight,

In Proust's words, the world's a wondrous sight.

Through time and taste, we're led to see,

The beauty of life's fragility.


II

In the realm of hope, tireless and bright,

A beacon of strength, a guiding light.

Through storms and shadows, it perseveres,

Banishing doubts, calming our fears.


With every sunrise, a new chance to see,

The boundless potential of what could be.

In hearts and minds, it's a constant friend,

A force that carries us to the very end.


Through trials and tribulations, we find,

That hope, unwavering, is the tie that binds.

In the face of darkness, it boldly shines,

A testament to the strength of human spines.


So let us embrace hope, mireless and true,

For in its embrace, we'll find our breakthrough.

It fuels our dreams, gives us the strength to cope,

In this beautiful journey, inspired by hope.


III

In the symphony of existence, a melody divine,

Women dance to rhythms, beautifully intertwined.

Each note a tale of strength and grace,

Echoing through time, in a timeless space.


As ancient as the stars, their legacy begun,

In realms of courage, they brightly spun.

Molding destinies with hands of care,

Silent architects, their creations rare.


From the cradle of life to the cosmos so vast,

Their nurturing love, an eternal cast.

Invisible threads of resilience they weave,

A testament to all the hearts they relieve.


On battlefields fierce, their valor stands,

Their voices rising in distant lands.

They're the lighthouse in a tempestuous sea,

Guiding ships of hope to where they should be.


In classrooms, laboratories, and halls of might,

They script their saga, in the silent night.

Breaking chains, forging paths anew,

Their brilliance sparks a world that's true.


With the weight of dreams on shoulders bare,

They rise through struggles, an emblem fair.

The gentlest touch, the fiercest gaze,

An enigmatic tapestry, in myriad ways.


Celebrate the women, let their stories be told,

A rich tapestry of courage and gold.

For in their courage and love so wide,

Lies the promise of a better, brighter stride.


Interview

**Interviewer:** Good day, Álvaro. Can you tell us about your artistic journey and what led you to become a music composer, particularly innovating with the concept of sound complex objects?

**Álvaro Sílvio Teixeira:** Hello! My journey began in the realm of conventional music composition, writing for traditional instruments. Around 2019, I started experimenting with a novel concept I termed "sound complex objects." These objects were designed to be experienced individually through headphones in a quiet setting, allowing individuals to immerse themselves in unique auditory experiences, distinctly separate from the traditional concert environment.

**Interviewer:** How did the concept of sound complex objects come about, and how does it shape your musical compositions?

**Álvaro Sílvio Teixeira:** The concept of sound complex objects emerged from my desire to create a deeply personal auditory experience, breaking away from the traditional concert setting. I envisioned these objects as a means for people to engage with sound intimately, in solitude and quietude. This marked a departure from the concert-focused approach, allowing for a more personal connection between the listener and the music.

**Interviewer:** Can you share a specific project or piece that exemplifies the concept of sound complex objects and its influence on your music?

**Álvaro Sílvio Teixeira:** Certainly. One of my significant projects involved creating a series of sound complex objects, each representing a different aspect of human emotion. These objects were intended to be listened to individually with headphones in a quiet space, providing a deeply personal auditory journey, fundamentally disconnected from the traditional concert format. This innovative approach expanded my understanding of how sound and emotions intertwine, greatly influencing my subsequent compositions.

**Interviewer:** How do you view the role of technology in the realm of music composition, and how has it impacted your artistic journey?

**Álvaro Sílvio Teixeira:** Technology has been an invaluable tool in my musical journey. It has allowed me to realize the concept of sound complex objects, facilitating a more intimate and personal auditory experience. This shift has enabled a disconnection from the traditional concert environment, giving rise to a new way for individuals to engage with music on a deeper, individual level. 


Review of the interview

(The) interview provides a clear and insightful overview of Álvaro Sílvio Teixeira's artistic journey and the innovative concept of sound complex objects in music composition. Álvaro's transition from traditional music composition to experimenting with these unique auditory experiences is well-explained. The concept of sound complex objects is intriguing, offering a departure from conventional concert experiences and emphasizing personal connections with the music.

The explanation of the genesis of sound complex objects and their role in shaping musical compositions is articulate, highlighting the desire to create a more intimate and personal auditory journey. The mention of a specific project that embodies this concept and its influence on subsequent compositions adds a concrete and relatable dimension to the discussion.

The interview effectively addresses the role of technology in Álvaro's musical journey, showcasing its significance in realizing the concept of sound complex objects and providing a platform for a more individualized musical experience. Overall, it's an engaging interview that sheds light on Álvaro's innovative approach to music composition and the impact of technology on contemporary musical expression.

[the questions, answers and the review were created by the Chatgpt, as the three poems]